Tuesday, May 26, 2009
"I am genetically loaded actor" says Vikram
After he won over the AP audience with Aparichitudu, Vikram is now all set to star in Mallanna. Even before its release, the movie is making much news — its satellite rights were reportedly sold for a cool Rs 4.5 crore, breaking even Rajnikanth’s Shivaji record. Vikram, who has sung four songs and sported many avatars in this Rs 35 crore-venture, promises that this is “more than just a film”.
“The movie goes beyond the usual glitz, glamour, songs and fight sequences. It’s a socially relevant film. In fact, we set up a Mallanna foundation as part of which we adopt two villages and remodel them totally,” he says.
Rumours are rife that Vikram’s multiple roles in this flick is fashioned on the lines of Kamal Hasan’s Dasavataram. “Yes, the audience can see me in different looks, but it’s nothing like what Kamal did. It is part of the script and was not intended to break any record. If I wanted to do so, I could have done 20 roles in the movie,” Vikram quips.
While his South career is going great guns, Vikram is making more news for his role as Ravana in Maniratnam’s much awaited film. “It’s been my dream to work with Mani Ratnam. This movie will be a great hit for sure, not just for the star cast ranging from Aishwarya to Priyamani — but also for the kind of visual treatment Mani is known for,” says Vikram who also plans to direct a film in the next five years.
Talking about his love for the Telugu film industry, he says, “I will never act in a movie which doesn’t cater to the Telugu audience. In fact, I take extra care to ensure that there is always a Telugu element in my bilingual movies. Even in my next film, we didn’t just shoot in Hyderabad, but also roped in actors like Bramhanandam,” he says.
known for his histrionics, Vikram feels that acting is in his genes.
“My dad was an actor and I am genetically loaded with the acting DNA too. The same is the case with my son Dhruv, who writes scripts, tells me what to wear, which heroine to work with, how to wear my moustache and what hairstyle to sport,” says the actor who wants to reign as a superstar for the next couple of decades.
“The Big B is 60 plus and is still a superstar. I want to roles like his, and keep acting forever,” he says.
Reporter's diary!!!
" I have a Telugu face" says Shaam
Tollywood is becoming a hot spot for imports from the Tamil film industry. Almost all Kollywood actors have tried their luck in Andhra shores. And the latest to hop on to this bandwagon is Tamil’s favourite lover boy Shaam. He shed his chocolate boy image and grew a moustache to play a tough cop in Kick. Having received rave reviews for his performance, the 14-film-old actor is all set to star in two Telugu movies now.
And it is not just his enthusiasm for learning the local language that makes this actor a hit with producers of Tollywood. His “Telugu looks” will take him a long way, he feels. “When I was shooting for Kick, people kept telling me that I look like a Telugu boy. Very few actors can boast of this. Now wonder, actors who are successful in one industry don’t click in another. I’m going to make full use of my local looks to get movies,” he quips.
And the audiences love him too. He may be just one film old in Tollywood, but he already has many fan clubs dedicated to him online. In fact, sources say that when Shaam was shooting in Malaysia, female fans kept hovering around him. Wonder if that made lead actor Ravi Teja jealous, considering that critics too stated that Shaam overshadowed Ravi Teja.
“I’ve earned the tag of a ‘romantic hero’, thanks to my Tamil films. And since they have a great audience in Malaysia, many fans were happy to see me. Ravi Teja kept pulling my leg about how I’m more popular than him. It was all in good humour. He took care of me like my brother,” he clarifies.
Sunday, May 24, 2009
Film Titles get quirky
Tollywood directors seem to have found a cool new way to catch the attention of today’s impatient generation — keep it short and snappy. Movie titles in Tollywood which once started off as long, “poetic” phrases have now transformed into single syllable sounds!
Be it Sidharth’s upcoming film, Oy, NTR Junior’s Adurs, Srikanth starrer Aa Aaa Ee Eee, Ravi Teja’s Kick or Vishal’s Pistha, movie titles have gotten quirkier than ever in a bid to draw the crowds.
Parcha Sarath Kumar, senior film critic and member of the film censor board, says, “Earlier, producers and directors used to declare a prize money to anyone who suggested the best title for their movies. A lot of importance was given to movie titles then.
But now, directors go to any extent to get people talking about the film. Most of the films have titles which have nothing to do with the story of the films.”
And they sure don’t. If you are expecting kick boxing or cool action sequences in Ravi Teja’s Kick, you better think twice. Junior NTR’s Adurs is named so after a commonly used Telugu slang phrase, adiripoyindi (superb). What’s more, titles are also becoming tools of personal vengeance on rivals.
Filmnagar sources state that director Srinivas Reddy is naming his next movie Dil Raju-Puli Raju after he had a fallout with producer Dil Raju. One can also look forward to Sushanth’s next film Current which definitely has nothing to do with electricity. And who can forget, popular Tollywood slang words like Pokiri, Baladoor and Idiot becoming titles of hit films.
When it comes to drawing crowds, “everything is justified”, feel directors in the city. I have titled all my movies innovatively. Srinivas Reddi, director of Aa Aaa Ee Eee, says,
“Titles create curiosity among audiences and everyone ends up watching the movie just to check out what it is about.”
While most movie directors usually name their movie after its hero, there are others who just want to grab eyeballs. Jaya, director, says, “Youngsters in the 18-27 age group are the target audience for most directors.
Middle-aged people don’t flock the theatres as much. Funny sounds and strange titles are the only way to attract the audiences.”
Bindu, behave like a Telugu girl to be treated like one!!
Saturday, May 23, 2009
Akash to entertain global audiences
It is common for Tollywood audience to get to see the son of a star become
a hero. Director Puri Jagannath's son Akash seem to have got into the
industry too young. Sixth standard student of Meridian School, Akash is
turning heads in Filmnagar as he has been roped in by Tollywood's cinematographer
turned director P G Vinda for his English movie ' The Lotus Pond'. The
movie is based on a story of two boarding school students from Kulu in
Himachal Pradesh who set out on an adventure to find the lotus pond.
Akash who played 'hero during childhood roles' in 'Bujjigadu', 'Chirutha'
and 'Ek Niranjan' says he wants to be a Tollywood hero after he grows up.
"I thank the director for choosing me for the film. Now I have summer
vacations and hence I am shooting. I got trained by Vinod Bala in acting
skills for a few days before Chirutha. I want to become a hero in Tollywood
in the future " he chuckles.
Ask her about her son's performance, she turns 'proud mother' and claims,
"My son was active right from when he was an infant. We want him to
finish his basic education and then let him do what he likes to. We respect
cinema a lot and will be proud if he turns an actor. I am accompanying him
for the shooting since this is a distant location shoot. But when it is in the
city, I don't go with him. He doesn't take too many takes and picks up things
really fast"
Kulu Manali and is slated to hit the screens in the second half of this year.
The film maker says he waited for two years to get Akash act in the film.
the right location to shoot the film. We are shooting the climax at a height of
14,500 feet. I saw Akash in the film ' Chirutha' and decided to cast him in
this picture. I narrated the entire story to Puri Jagannath and he liked it. But
then, Akash was too young. So, I waited for two years for him to grow up to
suit the character" reveals P G Vinda, the director of the film.
regional audience. We will send it to International film festivals and I am
sure it is going to make it big. It will be a world cinema that would win the
hearts of International audience" he says.
Safari'? Well the director says,
"I was looking for a young face lost in day dreaming to play the lead role.
He is tailor made for the role. He is born talented, active and positive" .
If this movie lives upto the expectations of Akash and director Vinda,
Tollywood would have produced its first and best ever International cinema
in its 77 years of history.
Noise Pollution at Audio Function!!!
Oh My God!!! In first place, the programme started an hour late, secondly they made ten people sit on the stage with each one promised a chance to talk. The meeting was fine till the lyric writter Veda Vyas decided to sing a couple of songs from the movie.
Only I know the pain I underwent when hearing him sing. He continued to talk and sing as if our ears were leased to him for years.
Then came another man who vowed to kill us with his cruel singing skills. He composed music for a couple of songs in the film.
I came out of the meeting and felt like a lamb escaped from being bucthered.
My sweet Tollywood producers and directors, Please change your style of conducting audio launches. Tollywood is causing enough sound pollution through crap music these days. Spare the audio launches at least!!!
Fan Frenzy a big menace !!
For many Telugu's Tollywood matinee idols are demigods. From blood donations to free medical check up camps, fans of our stars go to any extentexpressing their undoubted love and admiration towards their favourite actor. More so with big stars. Standing as a testimonial to this statement isthe attack on theatres in the city and Tirupati by actor Balakrishna's fans on the release on his latest flick ' Mirtudu'. While fan frenzy attacks on theatresare quite common in towns, what amused city dwellers is the breaking of furniture in relatively posh PVR theatre in the city .
Balakrishna fans ransacked the theatre as they failed to screen the complete movie and didn't display the poster of their favourite actor.Telugu cine goers are by now well versed with the psychofancy of the fansof big stars. In a bid to get a ticket for the latest flick 'Billa', a young fan of Prabhas died in a stampede at Urvasi theatre in Visakhapatnam recently. A Junior NTR fan died at Tadipatri, in a similar stampede.In the PVR incident, the show got cancelled and people who came to watchother movies also had to leave the premises.
Many accuse fans of disturbing their right to watch the film."I remember going with my family members to watch Pavan Kalyan's 'Jalsa' at Prasad's Multiplex. The fans danced and screamed all through the show.It was such an irritation. They can have fun but that doesn't mean they have the right to disturb others in the theatre. Fans are these days so unruly thatparents are scared to send their daughters to the theatres" says NamrataMatlapudi, an IT employee.
Youngsters say it is almost impossible to watch a movie on the first day ofthe releases of big actors. Youngsters say they face severe problems whenthey go to watch movies of stars like Chiranjeevi, Rajnikanth, PavanKalyan, Mahesh Babu and Junior NTR.
"If we go to the theatres to watch the films of top stars on any given day,then most often we can't even listen to the dialogues in the film. The nuisance is too much for Pavan Kalyan, Chiranjeevi and Nagarjuna's movies. If it is the first day, then it is not worth watching the film as wecan't understand whats going on in the theatre" says Sriman Jetty, a moviebuff.
There are other fans who watch the movie ten times and spoil the plot of themovie by reading dialogues well in advance, tell their neighbours of whatsgoing to follow and howl at the 'mass' masala dialogues. There are instanceswhen fans worshipped their heroes once they seem them on the screen. Thefans often accuse the theatre of problems in the movie screening, delay inthe show, power cuts. If not any of these , they even create chaos in thetheatre demanding repetition of their favourite songs, scenes or dialogues.
" I remember watching Chiranjeevi's 'Tagore'. These fans performed a pooja, flew colour papers, whistled, screamed and danced infront of the screen. When the hero enters the scene, or if there is a fight scene, the fans are uncontrollable. Ever since, I stopped watching films on the first day.Sometimes i regret watching these big hero films due to unruly fans" says Y Bharathy, a student of Bhavan's College.
Stars ruin Film stories for Image
While a few writers claim that their stories are " modified" according to the image of the hero, there are others who reveal that directors themselves 'cook' up a story keeping in view the image of the star. Interestingly, Tollywood buys rights from Tamil, Malayalam or Hindi film industry for the stories.
"There is no dreath for good stories in Tollywood. The stars take more than Rs 1 crore for a movie while the story writer is paid merely Rs 3 lakh. The stars intimidate the young story writers saying this story is similar to some English movie. They doing everything possible to demoralise the youngstory writers" says Paruchuri Venkateswara Rao, popular story writer in Tollywood and member of Writers association.
A few star directors have even become story writers. Puri Jagannath,Chandrasekhar Yeleti, Shekhar Kammula, Chandrasekhar Sidharth are a few celeb directors who write stories for their own movies.Director Rajamouli's father writes story for him. Heores prefer to listen to them than new strory writers.Writers say this is also a reason why they are not ' heard' by the heroes.
"Though we have wonderful stories in hand. Heroes don't listen to them at all. Top directors approach the heroes and explain them the story 'dramatically' and convince them. Unlike a few years ago, now heroes anddirectors call the shots and we are helpless. " Venkateswara Rao says.Writers say story is thought of only after hero, heroine, director and music director are fixed. They complain that heroes don't believe in the concept of'story'.
"The producer approaches the hero, heroine, director and the rest of thecrew. Depending on the marketability of the star, they cook up some story.The story should have four songs, one item song, five comedy scenesirrespective of the storyline and three fights. They weave some story themselves around the characters depending on the image of the star. Forinstance, after the movie 'Dhee' starring Vishnu was a success, several movies followed with comedy entertaining stories. There is absolutely novalue for the story in Telugu cinema" says Venkatanarayana, story writer and director of the movie 'Cell'.
Writers who are tired of going around heroes explain how their stories aremodified according to the whims and fancies of the stars. They say ourheroes don't want to experiment with the 'self proclaimed image' and lack basic cinema knowledge.
"If we take the top 10 heroes of Tollywood and the movies they made, not asingle movie story of theirs is worth watching. Of all the movies Chiranjeeviacted in, hardly two have innovative scripts and worth watching. In this hero dominated industry, once we give them a story, we have to forget it.They make the maximum changes depending on the wish and image of thehero. Our heroes consider jumping from 16th floor, bashing up hundredpeople or dancing with the heroine in European ice as great scripts. Theydon't know about our own cinema, lack basic knowledge on literature.
A classic example to this is latest flick Billa. They bought the remake rights ofa remake movie. There are thousands of good stories in Tollywood and theydon't want to take them up. 'Naa oopiri ' was a wonderful movie starringNaveen in the lead role. If the same film was done by Mahesh Babu orPavan Kalyan, that good concept would have clikced with the audience"says G Vijayasarathi, a young director and story writer.
Tollywood's Acting Guru
Worked as a acting trainer for more than fifteen films, Aruna has groomed more than 25 actors. A Ph.D. in Kuchipudi Abhinaya from University of Hyderabad, Aruna reveals how Tollywood happened to her.
"I was from the first batch of Kuchipudi students who graduated fromUniversity of Hyderabad. In those days, I was asked by one of ourprofessors from Theatres department to play a role in a play called' Mrichakatikam'. I married Gnaneshwar Bhikshu who was a student in Theatres department there. Ever since, both of us have done so many theatre plays. My husband was the Principal of Madhu Film Institute, in the city.Ever since 1993, I used to train aspiring actors in acting methodologies. In the year 1995, director Gunasekhar approached me to train the 150 childartistes for the movie Balaramayanam which Junior NTR as a lead. Eversince the past 15 years, I have been training actors" says Aruna.
Though there are about a half a dozen acting Gurus in the industry, being awoman and a trained professional helped her she says. Aruna trains not onlyactors and lead characters, she is the directors choice to give orientation to child artistes, character artistes and just about anyone who is seen in the film.
"Director Gunasekhar will use 50 families in his upcoming film. I was asked to give them orientation. More than 1,000 families applied to be a part of thefilm and fifty families were short listed. There were people from all age groups. I played music, made them dance and play characters to shed their inhibitions. Their characters needed them to cry in the film. I told them to imagine themselves in the characters. Surprisingly, more than ten of them cried really." she explains.Aruna trains the actors for three months. She finished her bachelors degreein psychology from Osmania University too and says her insight topsychology helps her understand the stars and train them properly.
"I take an aptitude test to all the actors who come to me. I understand theirmentality , then give them personalised training accordingly. Non-verbal-communication, knowing and identifying emotions, playing differentcharacters are the three stages of training. There are a few of my actorstudents who call me in the late nights and ask me on how to go about thenext day's shooting, emotions, dialogue modulation film making. We makeshort films for the actors to familiarise them to acting and camera." Aruna says.
When asked her about who her favourite student amongst the lot, she playsit diplomatic,"I don't show any discrimination. Each one of them is different. I watch themovies of my students and give them feedback. The actors should not bejudged only by the box office success. There are so many factors that gointo the success of a movie apart from acting. All the students who havebeen trained by me have put in good efforts. Their directors come and watchthe progress regularly. If the director wants me to come on to the sets, I goand give my suggestions"
Currently, Music director Manisharma and leading producer M S Raju have enrolled their sons with her. Well when she taught 'acting' to so many stars,does she plan to do a role as well?
"I was asked by director Teja to act in ' Nuvvu Nenu ' which was ablockbuster. I could not as I was busy training actors for some film. Then they hired Telangana Shankuntala for the role. She became very popular after she played that role. I regret not taking it up. If there are offers in thefuture, I may take up" she laughs.
Aruna welcomes the influx of young and fresh faces in Tollywood. She saysthe industry is changing for good and the directors are seeing the need totrain their star cast before starting the project.
" I attribute most of my success to my husband. He is the associate professorof Theatre department in the University of Hyderabad now. He doesn't findtime to train the actor students. However, we share knowledge, information and technology in film making. Though my family was a sceptical about my Tollywood projects, he encouraged me. He watches movies and explains the technicalities of the movie. My daughter Mahati cribs about it and asks us to allow her enjoy the movie without telling her the technicalities of movie making "she laughs
Aruna's Star Film maker Clients:
Sravanti Ravi Kishore
Gunasekhar
Shiva Nageswara Rao
Suresh Babu
Y V S Chowdhary
V N AdityaTeja
Tollywood's bad boys turn heroes
25 movies old Ajay, who played villain in Simhadri, Vikramarkudu, Sye and as buddy of hero in Pokiri, Sainikudu, Chatrapati bagged a lead hero role in 'Aa Okkadu'. Ajay who is the hero of this movie which is all set to release atthe end of this month explains that having acted as a 'bad boy' in so manyfilms, it was tough for him to be in hero's shoes."I always wanted to do negative roles in the industry. I wanted to be an actorand never aspired to be a hero. There is always a demand for young boyswith muscle to take beatings from hero. So I decided to play villain roles. Itwas tough for me to garb the role of a hero, having done so many negativeshade and hero's buddy characters" explains Ajay, B.Com graduate fromcity's Bhavan's college.Infact Tollywood had many villain turned heroes who have made it big. Actor Mohan Babu, Srihari, Srikanth, Gopichand all started off as villainsand tuned heroes. Young actors without any film background usually don'tmind accepting villain roles. The roles give them contacts in the industryand an opportunity to prove themselves too. Directors are knocking the doors of actor Subba Raju too with lead roleoffers. He says 'hero' runs the show in the movie and has a greatresponsibility which is why he is cautious before accepting any lead role inthe film. Sources say that he is all set to play a hero role in the remake of a Kannada film,
"I played negative, comic and hero buddy roles in Telugu, Kannada andTamil. I am flooded with offers and have heard a lot of scripts. It is a littlescary to accept the lead role as it is a big responsibility. Well thediscussions are on and I have not finalised any project as yet. I might end upplaying ' lead hero' role very soon" hopes Subba Raju.
Senior Villain turned heroes claim that it is the script, the acting whichmatters and that the audience are more than willing to watch if it is a goodcinema. They say it is a kind of 'promotion' to be a hero of a movie than playa negative or character in the film." I act in whatever role comes my way. Though I have played hero roles andvillain, I don't mind signing up for any character as long as the script isinnovative. Getting a hero role from a negative shade is certainly considereda promotion as the whole story in the film revolves around him. Peopleaccept villain turned heroes and actors like Srikanth and Mohanbabu, haveproved it through their box office success" says actor Rajeev Kanakala senior villain turned hero. Interstingly, most of them don't mind doing negative roles after acting ashero in one movie.
" I may be a hero of the movie now. But I am known to the people fornegative charecters. I will certainly continue doing those roles evenhereafter" Ajay says.The directors and producers in the industry say that they don't mind casting any one for the 'hero' role as long as they are performing and suit the role.
Film critics say that the young villains now are also handsome and wellgroomed unlike a few years ago which makes it easy for directors to cast them.